A reel is won or lost in the first two seconds. After that, pacing decides whether anyone stays. Both live in the edit, not in the camera.
I edit vertical video for Instagram Reels, TikTok, YouTube Shorts and Facebook: from footage you already have, from a longer video you published, or from clips shot on a phone. One shooting day usually yields several posts, so you don't have to film again every week.
What you get
- Vertical 9:16, framed on what actually matters — not a stretched horizontal cut with bars
- An opening where something happens in the first two seconds
- Cuts on the beat, speed ramps and transitions where they do something
- Subtitles in Polish, Dutch or English — burned in or as a separate file
- Sound mixed to -14 LUFS, the level the platforms leave alone
- Several versions from one source, so you can plan a month ahead
Examples
Portfolio reel 2026 — short form & advertising
Short forms and advertising cuts: pace, titles and colour, built for vertical screens.
Real estate transformation
A short format built around one idea: the same space before and after. Made for social media, with a transition that shows the difference in a single move.
How it works
- You send the footage, or a longer video you have already published.
- You get a price per video or per package.
- A first cut to review, then the changes you send back.
- Delivery ready to post, with the right aspect ratio and sound level per platform.
Where I work
Remotely. For this work distance means nothing: the footage arrives digitally and goes back the same way.